The dialectical relationship between work and mental health – Part 4

April 12, 2012

This is the final instalment of a four-part series by Kelly Pope

From a Marxist perspective, the low pay rates of jobs with low psycho-social quality is related to the concept of exploitation – the necessity for wages to be worth less than the value created by the worker’s labour, in order to continue to make a profit. A further component of employment’s potential detriment to mental health, well-being and recovery which is not covered in the research carried out by Butterworth and other (see part 3), is workers’ experiences of alienation. In his book which looks at work and sickness, Paul Bellaby discusses the way in which jobs can accentuate certain qualities of the body and mind, but can also depreciate others. A participant from one of the qualitative interviews quoted in this book talks about alienation with great clarity, as well as its impact on well-being as a worker undertaking solitary tasks.

You hardly talk to anyone. You have no idea what is happening around you – and you lose touch with what is happening in the world. After a while it gets so that you have no conversation, and when you go out socially you do not know what to say – eventually you lose all your self-confidence. (Bellaby) Read the rest of this entry »


Support locked out meatworkers (Wellington event tomorrow)

April 11, 2012

Support Locked Out Meatworkers: Public Meeting

A public meeting is being called to organise solidarity and support for the locked out meatworkers. There are still over 800 workers locked out and everyday they stay strong requires more than just a physical presence outside their work sites. We need thousands of dollars to help feed their families and keep roofs over their heads.
But more than that, we need to do everything we can do to help them WIN.

7pm Thursday 11th April


April Spark online

April 11, 2012

Editorial: Byron Clark

Recently I stopped at the Occupy Christchuch site (which had the previous day agreed with the local council to end the camp) to help clean up a bit and pick up a banner I had provided. The banner read “We won’t pay for the failure of their system!” and had been hanging between two trees for the last few months.

The banner pre-dated the campsite and had its first public outing when it was unveiled at the Christchurch Town Hall while John Key spoke at a so-called ‘jobs summit’. The two activists who held it up were swiftly trespassed from the building- although the series of earthquakes Christchurch has experienced since then has made this punishment somewhat redundant.

The banner has such staying power because a common theme of struggle since the global financial crisis has been a refusal to take concessions on wages, welfare and standard of living. This issue looks at a number of those situations. One of the biggest situations is with the Ports of Auckland workers who are refusing to give up their hard-won union contracts in exchange for casualised jobs. With significant welfare reform on the horizon beneficiaries are also being told they should tighten their belts. Whatever situation you are in- at work, out of work, unable to work, now is the time to say that you won’t pay for the failure of a system that does not work for the majority of people.
Kia Kaha

Spark+April+2012


Interview: Marika Pratley on An Unfortunate Willingness to Agree

April 10, 2012

Workers Party member Marika Pratley was nominated for an award for composition in the play An Unfortunate Willingness to agree which ran at the Fringe Festival from 27 Feb 2012 to 2 Mar 2012. The production won a Fringe award for Best Dance and received an honorable mention for Sound Design. The Spark interviewed Marika about music and politics.

The Spark: What attracted you to this project?
MP: An Unfortunate Willingness to Agree was an opportunity for me to explore writing music for a contemporary dance show that was concerned with exploring political themes. Oliver Connew (director) was interested in ideas relating to social alienation, for example what caused things like the London Riots and Occupy movements, and how distanced people are from what happens in politics (i.e. the government) and the mainstream media. I was attracted to exploring these ideas in an artwork so applied for the job.

The Spark: How did you get into music in the first place?
MP: I started learning piano at kindergarten. It was not until high school I got into writing my own music, which was more avant garde focused and influenced by many genres, especially Greek and Classical music. I decided to pursue a Bachelor of Music majoring in Composition when I was in my final year of school and involve myself as much as I can in many different musical communities. Since then my style has evolved quite a bit and I have become more interested in sonic arts, i.e. weird noises and abstracted work.

The Spark: How do you think your politics intersect with your creative work?
MP: This particular case was my first ‘go’ at writing music with a political theme. Political music work is something I have shied away from in the past. I think this is partly because institutions are more concerned with you developing aesthetic related technique than concept-related ideas of music. Also my style is not usually dealing with text or lyrics, so in order to make a political point I would need to work with images or another art form. I am quite keen to take up the challenge and explore this further though.

The Spark: What other projects have you got coming up?
MP: One of the dancers asked me to collaborate with him on his choreography work which will premier at Te Whaea in May, but aside from that I am mainly just focusing on band work. I am hoping however to start work soon on a Palestine themed exhibition with a sound-based component. This is still in its early stages though and I am trying to find other artists to collaborate with. I also have a side project for fun that is inspired by sloths.


US and New Zealand: The struggle for access to abortions and contraception continues

April 8, 2012

Vita Bryant, Workers Party, Wellington

In the heat of the campaigning for the Republican Primaries, Sandra Fluke, a law student at Georgetown, a well-respected Catholic university in Washington DC, applied to make a submission to the United States House Committee on Oversight and Government Reform. The committee had convened to discuss whether or not to amend the Patient Protection and Affordable Care Act, which would allow employers to opt out of providing insurance coverage for contraception on religious grounds – in other words, regardless of an employee’s religious belief, their employer can mandate whether or not their insurance will cover access to contraception. In a country where the costs of medicines are largely covered by private insurance arrangements, such an amendment could leave the contraceptive choices of hundreds of thousands of women in the United States to the whims of their employers. Read the rest of this entry »


Defending the Domestic Purposes Benefit

April 6, 2012

This article was contributed to The Spark by Jessica Ward

The Domestic Purposes Benefit (DPB) was fought for by our mothers and grandmothers. Before the introduction of the DPB women raising children were entirely financially dependent on a partner. Women in abusive relationships that wanted to leave their husband would be forced to also leave their children. The DBP was formed through Social Security Amendment Act in 1973 with the first payments starting in May of 1974. The DPB was originally set at a level that enabled solo mums to care for their children as a full time job without having to enter the work-force. Unfortunately now this is not the case. National’s proposed benefit cuts mean mothers on the DBP will be required to start looking for part time work when their child turns 3 and full time work once their child turns 6. Read the rest of this entry »


Movie review: The Hunger Games

April 5, 2012

Ian Anderson

While far-right US commentators target venom at “Marxist” childrens’ films including The Muppets and The Lorax, number one blockbuster The Hunger Games should cause them more concern.

Adapted from a young-adult series by Suzanne Collins, the film portrays a dystopian future in which kids are sent to fight each-other to the death, as a reminder of the Capitol’s power. Collins says the original book series was inspired by channel-surfing between coverage of the Iraq war and reality television: “I was tired, and the lines began to blur in this very unsettling way.” This narrative, of young adults co-opted into a showcase that destroys many of its ‘heroes,’ could be extended into many areas; the sports industry, the record industry, or the Hollywood studio system which produced this adaptation. Read the rest of this entry »


Why have women left the Occupy movement?

April 4, 2012

Byron Clark, Coordinating editor of The Spark

The Occupy movement began as a movement championing the “99%” united against the 1% of the world’s population that control a disproportionate amount the worlds wealth. A possible flaw in this is that oppression is not as simple as a 99:1 ratio and exists within the working class and even within social movements. A movement that saw an even gender balance when it arrived in New Zealand last October saw the number of women involved dwindle to just a hand full. The Spark asked women currently or previously involved in the movement why they thought so many women left. Their responses are printed here. Some names have been changed for privacy reasons. Read the rest of this entry »


Green Left Weekly: Wharfies beat lockout

April 2, 2012

This article by Workers Party member Joel Cosgrove originally appeared in Green Left Weekly.

In what has been described as New Zealand’s most high-profile and bitter industrial dispute since the early 1990s, waterside workers went back to work, after a four-week strike. Auckland’s port company agreed to end its lockout of 235 workers on March 30, and pay workers a week’s wages for being illegally locked out.

The New Zealand Herald reported that Maritime Union president Garry Parsloe told a huge workers’ meeting: “You’ll all go back to your jobs and until you go back you’ll all get paid.

“Everything we have done has fallen into place, thanks to your solidarity.” Read the rest of this entry »


Meat industry dispute reveals need to re-organise entire working class on militant basis

April 2, 2012

By writers for The Spark

The livelihoods of thousands of working class people in New Zealand are being attacked by Talleys Group Ltd, a New Zealand-based private company which owns AFFCO meat-processing plants and has locked out freezing workers throughout the North Island.

Background

As one of the largest meat operations in New Zealand, Talleys operates nine AFFCO freezing works plants. For decades AFFCO has been a source of employment in provincial areas and the workforce is often generational. Through generations of genuine rank-and-file unionism, freezing workers in AFFCO as well as other plants owned by other meat processing companies were able to achieve relatively strong wages and conditions by comparison to other industries.

On Febraury 29 the company locked out of over 700 workers which led to the beginning of picketing on March 2 at the Moerewa (in Northland), Wiri (in South Auckland), Horotiu (in North Waikato), Rangiuru (near Te Puke), Hawkes Bay (at Napier), and Manawatu (at Fielding), and Wairoa (in Northern Hawkes Bay) plants. On March 2 the union correctly called all members who were not locked-out into strike action. In turn the company then began locking-out strikers who were not covered by the original lockout notices, for example, a further 200 more workers were locked-out at Rangiuru. The union then called further 24-hour and 48-hour strikes including those which started on March 6, March 12, and March 22. Daily pickets are taking place at some plants. Read the rest of this entry »


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