Workers Party (NZ)

Reviewed by Marika Pratley   The Spark Dec 2009/ Jan 2010
In the album ‘Safer Communities Together’ Blues Don Franks has successfully interwoven politically revolutionary words with his compositional abilities. Recorded in a student flat in Aro Valley, Wellington, ‘Safer Communities’ is comprised – musically – of a wide range of instruments which Don plays, including acoustic guitar, electric guitar, banjo, and blues harp. There are also contributions by many other Wellington artists (bass, backing vocals, lead guitar, drums).

Don picks up from the tradition of political folk, but his work is distinctive because it discusses contemporary issues directly relevant to people in New Zealand today. It is an important historical catalogue of not only the recent Labour government, but the transition into the new National government which took over in 2008, and the various struggles that activists, workers, and unions have had to fight in that time period. Some songs are written for specific pickets or issues (such as One more Thursday in Black) whereas some are more general in their detest of both Labour and National (I hate the Labour Government, and Fuck John Key). Many of his songs have hints of tongue-and-cheek humour, such as the wedding march riff at the beginning of Talking Civil Union, making it a very entertaining album to listen to. Read the rest of this entry »

The Ballad of Bantam Billy: The political life and times of Bill Perkins Jack Perkins

Review by Don Franks The Spark Dec 2009  – Jan 2010

My most entertaining and memorable read this year has been a self published family account titled “The Ballad of Bantam Billy”. The author is Jack Perkins, Bill Perkins’ son. “Bantam Billy” was the nickname Lancashire coal miners gave to a short statured young workmate who became – and remained for life- an uncompromising fighter for socialism. “ If dad sensed any challenge or disrespect for his beliefs he was instantly and fearlessly outspoken. There were never any beg-your-pardons in his outbursts. I remember a bus trip when some unsuspecting passenger slighted the Soviet Union. Dad’s volcanic response turned heads, including the driver’s who brought the crowded vehicle to a temporary halt while things calmed down.” Read the rest of this entry »

2009, Directed by Zack Snyder

Based on the highly acclaimed graphic novel by Alan Moore, Watchmen is a story made to show superheroes be in the real world. Superheroes have been a constant target of Moore’s satire and venom. Influenced by Anarchism, Moore sees the superheroes as combinations of lonely, pathetic, psychotic, paternalistic, self-indulgent and fascist. These consistently brilliant comic’s are not just an attack on a pernicious form of culture, but an insightful metaphor about those that would claim to lead us within the current capitalist system. Politicians, generals, priests, media moguls and union bureaucrats can all be read into the cast of powerful characters that Moore has created over the years. The Watchmen graphic novel stands at the apex of this important body of work.

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The Counterfeiters is a fictionalised account of an astonishing true story: Nazi Germany’s Operation Bernhard, the largest counterfeiting undertaking in history. The operation forced Jewish concentration camp prisoners to produce forged banknotes, passports and even postage stamps for the benefit of the Third Reich.

The movie is based on the memoirs of one of the participants, Adolf Burger. A communist printer, Burger urges his fellow inmates to sabotage the project of forging the American Dollar, in order to undermine the Nazi war effort.

The central character is a professional forger, Saloman Solowich. In the early scenes of the film we see, Solowich, “the most charming scoundrel in Berlin”, quaffing Champagne in the bohemian decadence of Weimar Germany. When he ends up in a concentration camp, his strategy is simple: adapt and survive. Read the rest of this entry »

The narrative of The White Tiger takes the curious form of a one-sided correspondence between Balram Halwai, Bangalore-based entrepreneur, and the Premier of China.

Halwai tells the premier that the future belongs to the “yellow man and the brown man now that our erstwhile master, the white-skinned man, has wasted himself through buggery, mobile phone usage, and drug abuse.” At first he comes across as a bit of a buffoon, but through his riffs on politics, religion and Indian society we begin to see much more complex character. It does not take us long to learn that as well as being an entrepreneur, he is also a murderer.

Halwai is a “Half-Baked Indian”, once a promising student, who had his schooling cut short at a young age when he was sent to break charcoals in a tea shop. He gains his knowledge where and when he can: from the half-understood conversations in English of his passengers; or the torn page of an old textbook used to wrap a greasy samosa.

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